Horror movie lovers can determine if a movie is going to be a classic before the movie is even over. The Exorcist. Nightmare on Elm Street. The Changeling. Robert Ebert and his questionable taste didn’t decide that. We did. From mainstream movies to indie flicks, our people know where it’s at.
So allow me to introduce you to a little gem called We Are Still Here. It’s amazing. The acting is terrible. The writing isn’t that great. The plot is nonsensical. Somehow, it just works.
Here’s the rundown.
Paul and Anne (who makes a better Barb, probably because that’s her real name, so that’s what I’m going to call her) are a super simple, not-much-to-talk-about couple who have recently moved from their hometown in an attempt to start over following the death of their son. Barb is very emotional and upon moving into this centuries-old house, tells Paul that she can feel the presence of their son and that she believes he’s followed them to that house.
Paul is like “Barb, no he didn’t, he’s dead” and his responses continue in this cadence for the duration of the movie.
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Typical Jenn 