Vivarium and The Room: weird houses and jerk kids.

I’ve known I wasn’t meant to have kids since I was 13 and a friend of mine gave me her Tamagotchi – one of those electronic aliens on a keychain. I’d never expressed interest in it nor did I even know what its appeal was, but I accepted it thinking she was just being nice. Immediately I realized why she gave it to me. She hated me.

I couldn’t get it to shut up and I didn’t know how to turn it off. The first night I had it my mom stormed into my bedroom in a full-on rage, pissed because the bloody thing kept beeping and I couldn’t hear it even though it was right next to my head. After a couple of days it finally died – not the batteries, the actual digital alien or baby or whatever the hell it was.

These days I’m particular about what items I accept, and that includes children. Don’t even ask me if I want to hold your baby. Thanks to that Tamagotchi, the answer is I do not. I’m not falling for that one. Not like the dumb-dumbs in Vivarium did.

Vivarium (streaming on Amazon Prime) starts off with a couple in search of a home, finding themselves in a neighborhood that looks like it’s straight out of the Monopoly game. Even though every single house is identical, they keep their appointment with their weird AF realtor, doing a walk-through of what might be their new home. They’re like “mmm, I don’t know” and then try to drive out of the creepy neighborhood but as you may have guessed, they cannot.

So, they end up staying in their creepy dollhouse and while they may not be able to find their way out, Amazon can as they receive daily packages – one of them being a FUCKING. BABY. Tom (Jesse Eisenberg) is like “um no” and Gemma (Imogen Poots) is like “we have to it’s ours”. And thus begins an hour and a half of screaming, tantrums, fighting, and trying to escape but ultimately realizing there’s only one way out.

If you’re on the fence about having kids or would like to know what my 48 hours with a Tamagotchi was like, watch Vivarium. Warning: it’s weird as fuck.

2019 must’ve been the year for movies about weird houses and jerk kids because at the same time Vivarium came out, so did The Room (streaming on Shudder), except in The Room, the featured couple conjures up a devil child as opposed to just being left with one. I’ll explain.

Kate (Olga Kurylenko) and Matt (Kevin Janssens) have just moved into a home that’s special because a murder was committed in it. As a consolation prize, the room where the murder was committed grants wishes – a peace offering if you will. They both quit their jobs and decide to live off The Room, wishing for all sorts of bullshit. However, the one thing they both really want is a child so naturally, they wish one into existence.

How could this go wrong?

Well, for starters, they didn’t read the instruction manual on the room because if they had, they would have known that all of their wishes cannot be taken outside of the home or they’ll turn to dust. So it’s like the people on Instagram who pay to take staged photos in private jets but they don’t actually fly in private jets – like that.

The rules apply to the child as well, a fact they discover after Kate takes the kid outside and he turns into an 8-year-old or some age like that. Then he really turns into an asshole. He’s pissed because Kate won’t let him go outside and Matt doesn’t like him so he lashes out. But things really take a turn when he turns himself into an adult, and then we have a whole Oedipus situation going on.

It’s either the parents or this manifested little jerk – who will win? You have to watch The Room(streaming on Shudder) to find out. Or, if you don’t want to invest your time in it (and I kind of wouldn’t blame you), let me know and I’ll just tell you.

**My series and movie reviews will now be moving over to jennavision.blog. Enjoy!

Freelancing for Dummies: Shiiting Your Shot

Did I ever tell you about the time I played varsity basketball and softball? That’s because it didn’t happen, at least not in reality. In my head, I was both so that’s I told people I’d be. Unfortunately, my athleticism didn’t get the memo because I was cut from both sports before tryouts were even over. It was for good reason. I was terrible and the lack of trying to get better didn’t help.

Yet, I put myself out there and showed up. My problem wasn’t a lack of confidence or belief in myself, which could easily have been mistaken for zero self-awareness. No. My problem was that the only reason I tried to get on either team was to gain notoriety. Get my name out there was my goal. What I failed to understand – and am evidently still learning – is my interest only went as far as “maybe this is how people will hear about me!”

I was never really interested in playing these sports, I was interested in the attention I could get by playing them (in my hometown, sports was pretty much all we had). By the way, I didn’t end up on any of my high school teams but I did end up with the nickname Varsity courtesy of a guy named Jaime who thought my false claims of high school sports superstardom were hilarious. This is why I cringe when people claim themselves to be “funny”. I’ll be the judge of that, Varsity.

Anyway, as I’ve gotten older I’ve learned that finding your people and doing what you love it where it’s at in life. Over the years, I’ve been lucky enough to find that. When it comes to my writing, I’ve set some pretty ambitious goals for myself but what sometimes hinders my progress is my patience – I have none. So, from time to time I’ll apply for something or put my writing somewhere it doesn’t belong or put something out there just to put it out there – all to get noticed as quick as possible and possibly get a book deal or a job writing jokes for scripts.

It always works out in my head. In reality, it mostly backfires, like it did this past weekend.

If you’ll recall, a goal of mine has been to write for the Alamo Drafthouse – a goal that seemed more attainable before fucking Covid. When the one where I live closed down permanently, I knew that goal would be a little harder to achieve. But I didn’t quit. I created Watch This, Not That so I could have an outlet to talk movies (which I absolutely love). I worked on my resumé and cover letter. Then, I managed to find the contact info for the Senior Content Editor and, after cyber-stalking him for a couple of months to try and get his vibe, finally sent him my Drafthouse Content Writing submission.

And you know what?

He replied!

He said it’s probably going to be another year before a content writing position will be available and also THERE WAS A TYPO ON THE RESUMÉ.

A typo. On my content writing resume. The one I spent MONTHS working on.

Fuck me, man.

When I was 13 and wanted to be a famous singer, my 9-year-old cousin and I spent an afternoon cold-calling record labels to get information on how to break into the biz. One of those labels was Jive Records and the receptionist, Greg, yelled that I needed to buy a book on how to break into the industry. Before I could ask him where to find such a book (I didn’t have my normal consultant, Google, at the time), he hung up on me.

Even though the response from the SCE of the Drafthouse wasn’t anywhere near as harsh as Greg’s – the dream killing receptionist – this incident reminded me of that one. HOWEVER, it was another 7 years before I officially gave up on my singing career. I called it a day after I bombed my audition for Bobby Bones’s version of American Idol (I think it was called Austin Idol but I didn’t make the first cut so who cares).

The point is, I have no intention of giving up, at least not yet. In a year or whenever that job comes back, I’ll apply for it. And I’ll continue to work towards my goal, and maybe I’ll write for the Drafthouse or maybe my work will lead to something else. Either way, I’m just going to keep going.

So, if you’re struggling or dealing with your own Greg – Jive Records doesn’t exist anymore so suck it, Greg! – the receptionist, just keep going. If you found what you love and it makes you happy, don’t let one mistake stop you from pursing it. Keep working (assuming it’s something within the confines of the law. I can’t help you past that nor do I want to be an accessory).

And if you need more inspiration, those Modelo commercials have a lot of it. Now, if you’ll excuse me, there’s a movie on Prime called Santa Jaws that I really think the Drafthouse or a recluse would like my take on.

Watch This, Not That: Documentaries

I kind of remember when reality TV was invented. For me, it was invented when Season 8 of MTVs The Real World debuted. Th at’s when I started watching it and I remember thinking it was the exact opposite of the real world. It’s been all downhill from there. A few years ago I had a gig writing comedic recaps on reality shows such as Vanderpump Rules and The Real Housewives of Dallas. That was it for me and have since given up on reality TV (except for My 600lb Life). It’s all documentaries for me and readers, have I got some watch this and not that’s for you.

My first recommendation is YouTube’s The Boy Band Con: The Lou Pearlman Story. In the 90s, most teenage girls were either Team Backstreet Boys or Team N’sync, and if you were Team 98 Degrees you were no friend of mine. Anyway, did you know Lou Pearlman is the reason you had to pick a side? Did you also know that he was a complete fraud who scammed several elderly people out of their life savings with the help of U.S. Representative Charlie Crist? Well, it’s true. Brought to us by Lance Bass’s production company, The Boy Band Con is such a good telling of the boy band craze, the man behind it, and how he deceived so many while simultaneously making music history.

Speaking of the 90s, my next suggestion is all about nostalgia. Before there was Netflix and Chill, there was Be Kind, Rewind. In those days, when you wanted to watch a movie at home you had to physically leave your house and drive (or ride with your parents) to the local video store. For most of us, that video store was Blockbuster. Aahh, Blockbuster. The smell of the weekend. My next watch this is Netflix’s The Last Blockbuster.

I loved this documentary. It tells the story of how Blockbuster came to be, why it was the greatest, what happened to it, and how the very last one is hanging in there. For anyone who wants to reminisce or would like to know more about their botched Netflix deal, I highly suggest The Last Blockbuster.

Here’s something you don’t need to know about: Paris Hilton. Since I’d scored big with that boy band documentary, I let YouTube’s autoplay guide me and next up was This Is Paris, a documentary on Paris. Good god. Sure, her voice finally caught up with her age, but that’s about the only thing that’s tolerable. Other than that the entire documentary is pretty insufferable.

If you watch it, be prepared to weep when you see her museum of MacBooks, explaining that she needs to buy a new one after every breakup. Feel your heart break when you discover she NEVER wears then same outfit twice. At one point she talks about the abuse she endured at bad kids camp that still haunts her to this day (Side note: she recently testified in court against this camp). It’s a serious situation although Nikki Hilton brings us back by asking Paris “do you remember how horrible you were to our parents?” Look, I grew up with a Mexican grandmother so it’s real hard for me to feel bad for Paris. Anyway, unless you’re interested in learning how Paris stayed rich after growing up rich, I do not recommend This Is Paris.

And while we’re on the subject of spoiled rich kids, I also don’t recommend Netflix’s Operation Varsity Blues: The College Admissions Scandal. We all know the story: Aunt Becky used that Full House money to get her bratty, underserving child into USC. And she wasn’t the only one. A bunch of rich parents did it, all with the help of a guy named Rick Singer. The majority of it is shot in reenactments which I get because most of the people this scandal involves are in jail.

The documentary is meant to show how fucked up the system is but here’s the deal: it’s nothing new and it’ll probably never change. And the worse part is there will always be kids that want to go to these shit colleges that allow this.

FUN FACT: I went to school with a girl who wanted to go to the University of Texas at Austin but didn’t get in. Instead of just going to another University of Texas she lied to everyone, telling people she got in and would actually walk around the campus pretending to be a student. She eventually got caught. This happened 20 years ago so this story also serves as a reminder that people don’t forget.

Anyway, my point is, I would rather watch a documentary about that girl than one about something that isn’t that surprising other than Aunt Becky learned dick all from the life lessons on Full House. I do not recommend Operation Varsity Blues.

Watch This, Not That: The Vanishing at the Cecil Hotel vs. Demonic

According to Google, the definition of ‘horror’ is “an intense feeling of fear, shock, or disgust” which simultaneously explains, and somehow does not explain, why there are so many shitty movies lumped into this genre on Netflix. It’s tough to find good horror these days, at least something that’s not brought to us by the news anyway. It just so happens I do not watch the news. It also just so happens that the news watches me because this week’s Watch This is a documentary on a story that made national headlines.

This past week, Netflix released a 4-part documentary called Crime Scene: The Vanishing at the Cecil Hotel which detailed the disappearance of a young tourist named Elisa Lam. I’d actually heard of this case before, not from the news (thank God) but from my favorite YouTube channel, Top5s. About 6 years ago, one of their videos featured the footage of Elisa Lam in an elevator that shocked the interwebs. When I first saw it, it creeped me out. You see, Elisa Lam was a woman who traveled from Canada to L.A., found herself staying at the infamous Cecil Hotel which is where she was last seen. After she was reported missing, video surveillance captured Elisa in one of the elevators looking paranoid and frightened. That was the last anyone saw her until she was discovered more than 2 weeks later in one of the hotel’s water tanks.

Prior to the discovery of what actually happened to her (she climbed in herself which was most likely brought on by her mental illness), the story itself was something out of a true horror film. In fact, some people compared it to the 2005 film Dark Water. Those people would be conspiracy theorists who decided it was their job to find out (i.e. make up) what happened to Elisa Lam. They would also be the same people who helped pin it on someone who’d never even met Elisa Lam, causing that individual to basically give up a part of his life because of the harassment, helping this documentary land in the ‘horror’ genre thanks to that one tidbit of this story being absolutely disgusting. In fact, the scariest part of this documentary is the incredible amount of people who could afford to spend countless hours investigating Elisa Lam’s case, making it difficult at times for actual investigators to do actual investigating.

Then there’s the former GM of the hotel who gives off serious American Horror Story: Hotel vibes – she plays a great villain. The entire documentary is weird and while it’s definitely a shocker of a story, it’s more tragic than anything. The Cecil Hotel is worth Googling as it’s actually pretty disturbing. However, the only reason you should watch the documentary is to understand what mental illness can do to a person as well as understand how much of a tool you’ll look like if you spread conspiracy theories – particularly ones you made up – about a subject matter that effects millions of people.

Coincidentally, this week’s “don’t watch” is a movie based on demonic possession which some are more than ok with classifying as mental illness. Demonic is about a bunch of amateur ghost hunters (what else?) attempt to become professional ghost hunters by venturing into a house where a mass murder took place with a goal of raising the dead. As you may have figured out, the majority of them die because one of them gets possessed but actually he’s dead and it’s his girlfriend who is possessed but not for real her, her baby is possessed.

Other than that stellar description I just provided, here’s why you shouldn’t watch it: as with most terrible horror films, we’re never told or given any sort of inclination as to what and/or who is possessing people. It could be the devil. It could be something pretending to be the devil. It could be a picture frame. Who knows? Not the screenplay writer, that’s for sure. I give it one star and that’s only because Dustin Milligan, AKA Ted from Schitt’s Creek, is in it.

Watch This, Not That: Mercy Black vs. Our House

I like to consider myself a horror enthusiast, a horror snob if you will. When it comes time to pick the movies I’m going to watch for this column, I can barely get through the horror movie section of Netflix without making a sarcastic remark to myself. I’m very witty. Who decides this belongs in horror?, I always think to myself. I should be getting paid to decide what goes in the horror genre. Amateurs, all of them.

Then I watched a movie titled Mercy Black and what the fuck? First off, Mercy Black is a Blumhouse Productions movie – the people who gave us Insidious – so I should’ve known it wouldn’t be too terrible because Blumhouse can do no wrong, ever, not even if they tried.

Mercy Black is about a woman who is returning home after having spent 15 years locked in a mental institution for assisting in the attempted murder of her friend – very Slender Man. Upon her return she has to deal with visions of the past, weird occurrences in the home, and then, her nephew acting like a murderous weird-ass just like she did when she was a kid.

She sets out to help him by trying to figure out if the thing that made her try to kill is real – AKA Mercy Black – or if she made it up. The more she looks into her past, the more it comes back to haunt her (obviously). But not like regular haunt. Like, fucked up haunt. Like people getting stabbed in the eyeballs haunt. I had to watch a couple of episodes of Schitt’s Creek to come down off what I saw. I’m not saying this will give you nightmares but any movie that makes me go “the fuck just happened?” is worth a watch.

What’s not worth a watch is Our House. Our House is about a teen, Ethan, who has to leave college to care for his brother and sister after their parents are killed in a car crash. During the day he does the adult thing (job, taking and picking up the kids from school, etc.) but at night, he works on a project: a machine that he hopes will generate wireless electricity.

As you’ve probably guessed, it does not generate electricity; it generates ghosts, two of which are believed the be their parents. At first you’re like, ok, he brought his parents back and now the kids can live with their parents’ ghosts, super cool. But then the little sister starts talking about a little girl ghost she’s been talking to and then the neighbor’s dead wife comes back but in a black shadow/murderous form and then it turns out that the little girl ghost had been killed by her step-father in that house oh and also the parents’ ghosts are not actually their parents but something evil duh.

SOOOO, we’ve established that the ghosts are not the Casper-kind and eventually so does Ethan, but when he tries to get rid of them the neighbor is like “don’t make my ghost wife go away” even though she’s trying to fucking kill everyone and also she looks like what a 1st grader would draw as their interpretation of a scary ghost. Anyway, before all of the ghosts can kill the family, Ethan smashes his machine and the ghosts are gone and then they move out of the house and also it wasn’t actually the house that was causing the problem it was Ethan and his spirit summoner because the ghosts were fine until his wind machine irritated them. So it shouldn’t have been called Our House, it should’ve been called Ethan Fucking Around With Shit He Shouldn’t.

I probably made it sound cooler than it is. Look, it’s a movie about a homebuilt machine that conjures up murder-y ghosts instead of conjuring up electricity or my recommendation.

“The Autopsy of Jane Doe”

Here we are again. Another year. Another October where I, once again, do not have 31 posts relating to my favorite holiday for each day of my favorite month. I have about four. So, here is my first post for Typical Jenn Loves Halloween But Also Loves Procrastination So Instead Of Reading A Halloween Post Every Day You’ll Get One Every Sunday.

One thing I feel like I got semi-right was my horror movie intake. I watched a ton of the mainstream stuff but this year I took in a movie that had a limited release in 2016 and I only heard about because my mom and dad happened to watch it on Showtime out of boredom. As is the case with most movies like this, it turned out to be one of the creepiest movies I’ve seen in a very long time. Underground movies are where it’s at. FACT.

“The Autopsy of Jane Doe” is one of those movies with a twist, but a twist you won’t see coming. After a body is brought in to a mortuary, the owner and his son begin to conduct their autopsy, each cut bringing on a new strange occurrence – each worse than the last. If I’m not mistaken the movie is currently On Demand, so if you’re looking for a good horror movie to watch I highly suggest “The Autopsy of Jane Doe”. You will not be disappointed.

Photo cred: thefourohfive.com